wordsmith_daily

http://wordsmith.org/words/flagitious.html

scalzifeed

http://whatever.scalzi.com/2012/05/27/the-class-of-12-flings-their-caps-into-the-air/

http://whatever.scalzi.com/?p=18712

Because, you know, high school. Done with. Somewhere in there is my niece. It was a good day for her and for the family.

pbackwriterfeed

http://pbackwriter.blogspot.com/2012/05/pass-sketchup.html

officialgaiman

http://journal.neilgaiman.com/2012/05/last-kickstarter-post.html

We're in the last four days of Amanda's Kickstarter.

Over the last almost-a-month of the Kickstarter she's gathered a huge amount of support, set records for what crowdfunding can do, made the news internationally,  and she is now planning a giant webcast block party in Brooklyn on Thursday night for the people who supported the project and to count down to 11:59 when the Kickstarter ends and she starts to play.

She's certainly got enough supporters, and she's already well exceeded her goal and is somewhere off into the land beyond her wildest dreams. (As I write this she's 900% funded, and looks on course to make this a million dollar Kickstarter.) But I still thought I'd stick something up here, in the last few days, because...

We put together the Evening With Neil Gaiman and Amanda Palmer Kickstarter last year, to raise the money to professionally record the West Coast tour we did in November. We raised a lot more money from the Kickstarter than we had expected, so we made everything we could even better than anyone had expected. The double CD we had planned to do became a beautiful triple CD package, for example, and then we did a special super secret bonus CD with a banana on it to go along with that - as well as over two additional hours of extra material we released digitally for all the supporters. We worked very hard to make sure that everyone who supported us got something better than they had thought they were getting when they signed up.

And when the stuff started showing up in people's mailboxes and they started posting happy photographs of their stuff (like these...)




...then people here and on Twitter and on Tumblr started sending me sad messages, telling me they wished they had supported the Kickstarter, they'd missed it as they hadn't seen it, or had forgotten, or were broke at the time -- but was it too late to get the stuff?  I wrote back a lot, and said yes, I was sorry but it was too late. We'd only made enough for the Kickstarter backers.

(We do plan to release An Evening With Neil and Amanda commercially, probably towards the end of the year. And it'll be a nice package, but it won't be what the Kickstarter folk got. That was special, and it was just for them.)

Amanda will be releasing a version of her new CD to the public in September. That's the one you'll be able to buy at your local store. But the two CD set inside a book (the blue thing on the right), or the quadruple vinyl in its box, or whatever else she decides to throw in to the other levels, the art-book she's making -- that stuff will only exist for Kickstarter.  If you want it, or any of the other rewards (down to the $1 reward that gets you the whole album digitally when it comes out, which I promise will be significantly cheaper than it'll be on iTunes) then this is really just a reminder that you only have four days to click on the Kickstarter link and support it...



...

Amanda did a post the other day on her blog and for backers, explaining that, no, a million dollar Kickstarter wasn't actually going to make her rich. People are signing up for things, she'll make the things and provide them, but she doesn't get to put a million dollars into a swimming pool and then throw it into the air, like Uncle Scrooge. It's not tax-free donations, it's people signing up for services.

So, to clarify:

The Kickstarter exists to fund a CD release (to the public, not Kickstarter supporters) and a tour (ditto).

The Kickstarter money funds the studio and promotional costs (just as a record label might have done). The business model isn't, Make Money From 20,000 people. It's Use 20,000 people to crowdfund the costs of manufacturing and distributing and promoting a CD and a tour to the General Public. And then get rich from that.

You'd think a band who took their video and studio and promotional budget from a record label and used it as income instead of as an investment in their future were being pretty shortsighted. That's the Kickstarter money: it's a video and promotional and design and manufacturing and touring budget. That's what it's for.


...

There. That's the very last post about Amanda's Kickstarter, unless I start blogging from a rooftop in Brooklyn when it's all over, as the NYPD haul Amanda and the Grand Theft Orchestra away. She says they have all the permits in place for a midnight rooftop gig, and they've even hired the police to block off a road and so on. I just think of the Beatles on the roof of the Apple building, and the legion of uniformed cops who appeared to make them stop...

mightygodking_f

http://feedproxy.google.com/~r/Mightygodkingcom/~3/zNOe1jYVl1M/

http://mightygodking.com/?p=6289

Recently…well, probably not recently because it’s a very old debate but here’s another recent iteration of it…the discussion once again came up regarding slash fiction. In this particular case, for those of you not clicking the link, it’s a woman stating that she has just as much of a right to remix canon as anyone else, and any guy (and they do always seem to be guys) who gets creeped out, personally offended, emotionally disturbed, or just generally defensive on behalf of poor straight Captain America and Iron Man who can’t do anything about some gurl making them make out and stuff can lump it.

Which is, of course, 99% correct. (It’d be 100%, except that I’ve always felt like Cap and Iron Man’s arguing doesn’t mask a simmering romantic tension between the two men that could erupt at any moment. Cap and Iron Man’s arguing actually masks a much deeper and more fundamental dislike that the two have for each other based on the fact that Iron Man really is a dangerous control freak whose actions, while well-meaning, betray the fact that he actually is so elitist that he thinks that he should be allowed to run other people’s lives, and Cap finds that morally abhorrent. A much better slash pairing would be Cap and Hawkeye, whose macho banter practically screams, “We’re boning each other in the locker room after missions.” But I digress.) The point is, arguing that “this isn’t canon!” or “these characters wouldn’t do that!” is a disingenuous mask that this particular breed of fanboys use to attack fiction that makes them uncomfortable. The same people are probably writing Black Canary/Oracle slash, or at the very least nodding approvingly at it while saying, “Yes, exactly. Good for you for having the courage to show what DC can’t show on the printed page regarding these two characters and their mutual love of kinky bondage games!”

People like that know (perhaps, if you want to give them the benefit of the doubt, you could say that they’re aware on a subconscious level, but I suspect that most of them are perfectly knowledgeable on a conscious level) that if they say, “Ick! Seeing gay male characters being physically affectionate makes me deeply uncomfortable, and I think that only sexy women should be publicly sexualized because that’s the sort of thing I enjoy and fandom is all about servicing me and people like me,” then they will get a pointed lack of sympathy. They also know that fans care deeply about canon, because we read comics as much to inhabit the fictional universe for a brief period as to read any particular story, and as a result we’re very bothered when that fictional universe lacks internal consistency. So by hiding behind, “So-and-so wouldn’t do that!”, they divert the discussion away from their own homophobia and dislike of females behaving as though they have just as much of a right to enjoy comics as males, and towards the question of whether or not Captain America would really sleep with Iron Man. (A discussion that, as shown above, I am not entirely immune to participating in.)

But, as the blogger above pointed out, that is not an honest argument. They don’t run around pointing to every single piece of non-canonical fan art or fanfiction and tell the people involved that they shouldn’t be coming up with a different interpretation of the character than tradtionally done. They don’t even go up to Frank Miller and say, “Hey, your relentlessly angry, anti-social, ruthless Batman is actually pretty fundamentally at odds with the character’s history, and is depressingly unsympathetic and one-note.” They save their ire for women, minorities, and alternative sexualities who insist that they should be represented in fandom as well. They are, in short, practicing enforcement of white male privilege, and that’s actually pretty pathetic.

So, to “Pathetic Avengers Fangirl”…you’re right. You should totally keep enjoying the Avengers in whatever way makes you feel happy. Because that’s what being a fan is about.

scalzifeed

http://whatever.scalzi.com/2012/05/27/graduation-song/

http://whatever.scalzi.com/?p=18708

Away from the Internets for most of the day because my niece Cecilia is having her high school graduation ceremony. See you all tomorrow. In the meantime, here’s “The Paper Chase,” one of my favorite graduation-themed songs, from the (now defunct) The Academy Is… (the ellipsis is part of their name).

I wrote about Fast Times at Barrington High, the album this song is on, here.

Have a good Sunday.